{"id":"9dfd9f33-f5de-46ea-ad15-88f2b3320e7a","revision":0,"last_node_id":134,"last_link_id":266,"nodes":[{"id":116,"type":"MarkdownNote","pos":[-2090,4860],"size":[450,630],"flags":{},"order":0,"mode":0,"inputs":[],"outputs":[],"title":"Note: MiniMax H3","properties":{},"widgets_values":["## MiniMax H3\n\n[MiniMax H3](https://www.minimax.io/blog/minimax-h3) is MiniMax's general-purpose, omni-modal generation model. It jointly understands text, image, video, and audio, and generates video with **native stereo audio**: voice, sound effects, and music are modeled jointly in a single forward pass, not layered on afterward. Output is up to 2K resolution, 24fps, and up to about 15 seconds.\n\n## About this workflow\n\nThis template runs the **Image to Video** task (`MiniMaxH3ImageToVideo` node), which covers both:\n\n- **t2va** (text-to-video), when no images are connected\n- **fl2va** (first/last-frame image-to-video), when `first_frame` and/or `last_frame` are connected\n\n**Key inputs**\n\n- **first_frame / last_frame**: optional keyframes; the model generates the motion between them\n- **prompt**: describe the shots, motion, and the accompanying audio (dialogue, SFX, music) in one block\n- **width / height**: set via Resolution Selector. H3's native canvas is a 768px short edge, capped at 768x1344 pixels, rounded to a multiple of 32\n- **duration (seconds)**: converted to a valid frame `length` by the Math Expression node, snapping up to the model's 17-frame-per-block (17k+5) grid at 24fps"],"color":"#222","bgcolor":"#000"},{"id":117,"type":"MarkdownNote","pos":[-2570,4860],"size":[440,680],"flags":{},"order":1,"mode":0,"inputs":[],"outputs":[],"title":"Note: Model Links","properties":{},"widgets_values":["## Model Links\n\n**vae**\n\n- [minimax_h3_video_vae_fp16.safetensors](https://huggingface.co/Comfy-Org/MiniMax-H3/resolve/main/vae/minimax_h3_video_vae_fp16.safetensors)\n- [minimax_h3_audio_vae_fp32.safetensors](https://huggingface.co/Comfy-Org/MiniMax-H3/resolve/main/vae/minimax_h3_audio_vae_fp32.safetensors)\n\n**diffusion_models**\n\n- [minimax_h3_fl2va_pruned_int8_convrot.safetensors](https://huggingface.co/Comfy-Org/MiniMax-H3/resolve/main/diffusion_models/minimax_h3_fl2va_pruned_int8_convrot.safetensors)\n\n**text_encoders**\n\n- [qwen3vl_32b_minimax_h3_nvfp4_awq.safetensors](https://huggingface.co/Comfy-Org/MiniMax-H3/resolve/main/text_encoders/qwen3vl_32b_minimax_h3_nvfp4_awq.safetensors)\n\n\n## Model Storage Location\n\n```\n📂 ComfyUI/\n├── 📂 models/\n│   ├── 📂 vae/\n│   │   ├── minimax_h3_video_vae_fp16.safetensors\n│   │   └── minimax_h3_audio_vae_fp32.safetensors\n│   ├── 📂 diffusion_models/\n│   │   └── minimax_h3_fl2va_pruned_int8_convrot.safetensors\n│   └── 📂 text_encoders/\n│       └── qwen3vl_32b_minimax_h3_nvfp4_awq.safetensors\n```\n\n## Report Issue\n\nNote: Please update ComfyUI first ([guide](https://docs.comfy.org/installation/update_comfyui)) and prepare required models. Desktop/Cloud updates follow stable releases, so some nightly-supported models may not be available yet.\n\n- Cannot run / runtime errors: [ComfyUI/issues](https://github.com/comfyanonymous/ComfyUI/issues)\n- UI / frontend issues: [ComfyUI_frontend/issues](https://github.com/Comfy-Org/ComfyUI_frontend/issues)\n- Workflow issues: [workflow_templates/issues](https://github.com/Comfy-Org/workflow_templates/issues)\n"],"color":"#222","bgcolor":"#000"},{"id":120,"type":"GetImageSize","pos":[-1490,5810],"size":[230,80],"flags":{},"order":6,"mode":0,"inputs":[{"localized_name":"图像","name":"image","type":"IMAGE","link":228}],"outputs":[{"localized_name":"宽度","name":"width","type":"INT","links":null},{"localized_name":"高度","name":"height","type":"INT","links":null},{"localized_name":"批处理大小","name":"batch_size","type":"INT","links":null}],"properties":{"Node name for S&R":"GetImageSize"},"widgets_values":[]},{"id":119,"type":"ImageScaleToTotalPixels","pos":[-1520,5610],"size":[280,150],"flags":{},"order":2,"mode":0,"showAdvanced":true,"inputs":[{"localized_name":"图像","name":"image","type":"IMAGE","link":null},{"localized_name":"缩放算法","name":"upscale_method","type":"COMBO","widget":{"name":"upscale_method"},"link":null},{"localized_name":"像素数量","name":"megapixels","type":"FLOAT","widget":{"name":"megapixels"},"link":null},{"localized_name":"分辨率步数","name":"resolution_steps","type":"INT","widget":{"name":"resolution_steps"},"link":null}],"outputs":[{"localized_name":"图像","name":"IMAGE","type":"IMAGE","links":[228]}],"properties":{"Node name for S&R":"ImageScaleToTotalPixels"},"widgets_values":["nearest-exact",1,32]},{"id":118,"type":"MarkdownNote","pos":[-1130,5460],"size":[300,520],"flags":{},"order":3,"mode":0,"inputs":[],"outputs":[],"title":"Note: Size Settings Reference","properties":{},"widgets_values":["| megapixels | Aspect | Output (multiple=32) |\n|---|---|---|\n| 0.2 | 16:9 | 608 x 352 |\n| 0.3 | 16:9 | 736 x 416 |\n| 0.4 | 16:9 | 864 x 480 |\n| 0.5 | 16:9 | 960 x 544 |\n| 0.6 | 16:9 | 1056 x 608 |\n| 0.7 | 16:9 | 1152 x 640 |\n| 0.8 | 16:9 | 1216 x 672 |\n| 0.9 | 16:9 | 1280 x 736 |\n| 0.98 | 16:9 | 1344 x 768 |\n| 1.0 | 16:9 | 1376 x 768 |\n| 1.2 | 16:9 | 1504 x 832 |\n| 1.5 | 16:9 | 1664 x 928 |\n| 1.8 | 16:9 | 1824 x 1024 |\n| 2.0 | 16:9 | 1920 x 1088 |\n"],"color":"#222","bgcolor":"#000"},{"id":115,"type":"ResolutionSelector","pos":[-1110,5230],"size":[270,170],"flags":{},"order":4,"mode":0,"showAdvanced":false,"inputs":[{"localized_name":"宽高比","name":"aspect_ratio","type":"COMBO","widget":{"name":"aspect_ratio"},"link":null},{"localized_name":"百万像素","name":"megapixels","type":"FLOAT","widget":{"name":"megapixels"},"link":null},{"localized_name":"倍数","name":"multiple","type":"INT","widget":{"name":"multiple"},"link":null}],"outputs":[{"localized_name":"宽度","name":"width","type":"INT","links":[219]},{"localized_name":"高度","name":"height","type":"INT","links":[220]}],"properties":{"Node name for S&R":"ResolutionSelector"},"widgets_values":["9:16 (Portrait Widescreen)",1,32]},{"id":92,"type":"SaveVideo","pos":[-186.20930232558146,4849.999999999999],"size":[1030,672.8837209302326],"flags":{},"order":8,"mode":0,"inputs":[{"localized_name":"视频","name":"video","type":"VIDEO","link":194},{"localized_name":"文件名前缀","name":"filename_prefix","type":"STRING","widget":{"name":"filename_prefix"},"link":null},{"localized_name":"格式","name":"format","type":"COMBO","widget":{"name":"format"},"link":null},{"localized_name":"编码器","name":"codec","type":"COMFY_DYNAMICCOMBO_V3","widget":{"name":"codec"},"link":null}],"outputs":[{"localized_name":"video","name":"video","type":"VIDEO","links":null}],"properties":{},"widgets_values":["video/MiniMax_H3","auto","auto"]},{"id":114,"type":"LoadImage","pos":[-1610,4860],"size":[450,630],"flags":{},"order":5,"mode":0,"inputs":[{"localized_name":"图像","name":"image","type":"COMBO","widget":{"name":"image"},"link":null},{"localized_name":"选择文件上传","name":"upload","type":"IMAGEUPLOAD","widget":{"name":"upload"},"link":null}],"outputs":[{"localized_name":"图像","name":"IMAGE","type":"IMAGE","links":[218]},{"localized_name":"遮罩","name":"MASK","type":"MASK","links":null}],"properties":{"Node name for S&R":"LoadImage"},"widgets_values":["WhatsApp Image 2026-08-13 at 10.03.02 PM.jpeg","image"]},{"id":105,"type":"4c314f31-ecda-4b08-ae98-faaba1bf613f","pos":[-730,4850],"size":[505.873403456048,1084.8271975957914],"flags":{},"order":7,"mode":0,"inputs":[{"name":"first_frame","shape":7,"type":"IMAGE","link":218},{"name":"last_frame","shape":7,"type":"IMAGE","link":null},{"name":"prompt","type":"STRING","widget":{"name":"prompt"},"link":null},{"name":"width","type":"INT","widget":{"name":"width"},"link":219},{"name":"height","type":"INT","widget":{"name":"height"},"link":220},{"label":"duration","name":"value_1","type":"FLOAT","widget":{"name":"value_1"},"link":null},{"name":"noise_seed","type":"INT","widget":{"name":"noise_seed"},"link":null},{"name":"unet_name","type":"COMBO","widget":{"name":"unet_name"},"link":null},{"name":"clip_name","type":"COMBO","widget":{"name":"clip_name"},"link":null},{"name":"vae_name","type":"COMBO","widget":{"name":"vae_name"},"link":null},{"label":"audio_vae","name":"vae_name_1","type":"COMBO","widget":{"name":"vae_name_1"},"link":null}],"outputs":[{"localized_name":"VIDEO","name":"VIDEO","type":"VIDEO","links":[194]}],"properties":{"previewExposures":[]},"widgets_values":["For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced.\n\nintegrated_multimodal_description: [Shot 1] Live-action, cinematic food-commercial footage inside a casual dining environment, presented as one continuous ten-second shot in a vertical 9:16 composition. The physical dining scene contained inside <Picture 1> expands naturally to fill the complete video frame.\n\nPreserve the exact bowl and plate, cooked noodles, fried egg, egg yolk, meatball, sauce, spoon, red chopsticks, lifted noodle bundle, tabletop, background counter, beverage container, small background objects, partially visible hand holding a mobile phone, lighting relationships, surface reflections, environmental depth, and overall composition established by <Picture 1>.\n\nNo clearly visible face or complete human body appears in <Picture 1>. Do not invent or add faces, diners, restaurant workers, customers, extra hands, arms, or foreground people. Preserve only the human elements already visible: the off-screen diner controlling the red chopsticks and the partially visible background hand holding the existing mobile phone.\n\nThe lifted noodle bundle and chopsticks form the center of the first camera loop. The fried egg, meatball, and remaining noodles in the bowl form the center of the second camera loop. The visual space where the hanging noodles reconnect with the noodles inside the bowl forms the central crossover point of the figure-eight route.\n\nThe off-screen diner performs a controlled food interaction through the existing chopsticks: gently lifting the noodles, rotating the chopsticks slightly, allowing several strands to slide downward, pausing above the bowl, and lowering the noodles gradually toward the food.\n\nThe background phone holder performs one subtle interaction by adjusting the existing phone angle slightly to keep the lifted noodles in frame. The phone remains in the background and does not become the main subject. Do not reveal or invent the phone holder’s face or body.\n\nSmall translucent light particles float throughout the dining environment at multiple depths. Their appearance derives entirely from the illumination, reflections, steam, food surfaces, tabletop materials, and visual atmosphere established by <Picture 1>. They do not introduce a new color style or alter the original visual tone.\n\nA few softly defocused particles pass near the lens. Smaller and sharper particles drift around the chopsticks, lifted noodles, rising steam, fried egg, meatball, spoon, bowl rim, phone-holding hand, beverage container, tabletop, and background counter.\n\nThe particles react gently to the movement of the chopsticks, swaying noodles, rising steam, subtle phone movement, and ambient airflow. They form short, delicate luminous trails around the noodles and then dissolve naturally.\n\nThe particles remain abstract, refined, translucent, and secondary to the food. They do not become fire, sparks, insects, solid objects, seasonings, extra ingredients, or full-screen effects. They never touch or contaminate the food.\n\nThe camera physically travels through the three-dimensional dining scene along one compact horizontal figure-eight, infinity-shaped path. It performs a gentle clockwise Arc Shot around the lifted noodle bundle, crosses diagonally through the open visual space above the bowl, and performs a gentle counterclockwise Arc Shot around the fried egg, meatball, and noodles remaining in the bowl.\n\nThe camera remains approximately level with the lifted noodles, using a rectilinear 50 mm cinematic macro lens with shallow but controlled depth of field and smooth three-axis gimbal stabilization.\n\nCamera movement remains slow, continuous, evenly paced, collision-free, and physically plausible. The figure-eight route uses limited physical amplitude because the source is a close food shot. It reveals only plausible nearby angles and never passes behind solid surfaces for which no visual information exists.\n\nFrom 0.00 to 2.00 seconds, the camera pushes in with small amplitude at slow speed while trucking slightly left. It begins a gentle clockwise Arc Shot around the lifted noodles and red chopsticks.\n\nThe chopsticks maintain a secure grip on the existing noodle bundle. They rotate by a small amount, causing several noodle strands to sway and separate naturally under gravity.\n\nThe sauce remains attached to the noodles with realistic viscosity and highlights. A few small droplets travel downward along the strands and return safely to the bowl without splashing outside it.\n\nFine steam rises naturally from the food. Translucent particles follow the steam and spiral gently around the noodle bundle without obscuring its texture.\n\nThe foreground noodles and particles move faster across the frame than the fried egg, meatball, bowl, spoon, phone hand, beverage container, and background counter, producing clear three-dimensional parallax.\n\nFrom 2.00 to 4.20 seconds, the camera continues the clockwise Arc Shot with moderate amplitude around the lifted noodles, completing the first loop of the figure-eight route.\n\nThe chopsticks lift the noodle bundle by a few centimeters and pause. Several strands slide slowly downward while remaining physically connected to the bundle and bowl.\n\nThe noodles stretch and sway naturally without becoming elastic, rigid, or weightless. Sauce glistens under the existing illumination. The fried egg and meatball remain stable inside the bowl.\n\nThe background hand tilts the existing phone slightly toward the noodles, as if recording the food. Fingers retain a physically correct grip, and the phone remains at the same approximate distance.\n\nLight particles trace the outside movement of the noodles and form a loose curved flow around the chopsticks. A faint cluster follows the phone adjustment before dispersing.\n\nFrom 4.20 to 5.40 seconds, the camera glides diagonally through the central crossover of the figure-eight route at slow speed. It passes safely through the open air beside the hanging noodles without moving through the chopsticks, noodles, bowl, egg, meatball, spoon, phone, hand, or tabletop.\n\nThe chopsticks lower slightly, allowing several noodle strands to reconnect with the noodles in the bowl.\n\nAt the moment the descending strands touch the food below, two delicate particle streams converge above the bowl. A compact circular ripple of translucent light forms around the noodle contact point.\n\nThe ripple briefly follows the curves of the noodles and the upper rim of the bowl before dissolving into small floating particles. It remains an abstract visual accent and does not physically alter the food.\n\nA subtle reflection of the ripple appears on the spoon and glazed bowl surface. Exposure, lighting direction, and established color relationships remain unchanged.\n\nFrom 5.40 to 7.80 seconds, the camera enters a smooth counterclockwise Arc Shot with moderate amplitude around the bowl’s contents, completing the second loop of the figure-eight route.\n\nThe fried egg, meatball, noodles, sauce, and spoon become the primary foreground subjects while the lifted noodle bundle remains visible above them.\n\nThe chopsticks move slightly toward the fried egg without touching or damaging it, then guide the noodles gently across the bowl. One strand rests naturally beside the egg while the remaining bundle stays held by the chopsticks.\n\nThe egg white remains intact, and the yolk retains its original shape. The meatball remains in its established position and does not roll out of the bowl.\n\nThe background phone holder makes one final small framing adjustment and holds the device steady. No readable phone content, camera interface, flash, holographic image, or projected screen appears.\n\nLight particles orbit gently around the steam, bowl rim, egg, and noodles. Several particles follow the curve of the spoon and fade near the tabletop.\n\nThe foreground bowl and food move faster across the frame than the phone hand, beverage container, counter, and distant background, producing realistic macro parallax.\n\nFrom 7.80 to 10.00 seconds, the camera completes the second loop and glides smoothly back toward the central viewing axis. It pulls out with small amplitude at slow speed while gently pedestaling up.\n\nThe camera gradually decelerates. The chopsticks lift the noodle bundle into one final stable presentation position above the bowl. The noodle strands settle into gentle natural motion.\n\nThe background phone remains pointed toward the food. The phone holder’s hand relaxes slightly while retaining a stable grip.\n\nThe surrounding particles form a loose spatial flow connecting the chopsticks, lifted noodles, steam, fried egg, meatball, spoon, bowl, phone hand, beverage container, tabletop, and background environment.\n\nThe spatial flow emits one soft pulse synchronized with the final musical note, then disperses naturally into small floating lights. The particles retain the illumination and visual relationships established by <Picture 1>.\n\nThe shot ends on a stable cinematic food-commercial composition preserving the lifted noodles as the principal subject while clearly showing the fried egg, meatball, spoon, bowl, phone-holding hand, tabletop, dining environment, atmosphere, and depth established by <Picture 1>.\n\nThe camera route must visibly form one genuine compact horizontal figure-eight in three-dimensional space. It must contain two recognizable curved loops and one central crossover.\n\nIt must not appear as a flat screenshot sliding from side to side, a simple zoom, a stationary pan, a single circular orbit, a digital warp, or rotation of the entire scene. The camera must physically change position and viewing angle throughout the complete ten-second shot.\n\nCamera movement must create genuine perspective changes and natural parallax between near particles, chopsticks, lifted noodles, steam, fried egg, meatball, spoon, bowl, phone hand, beverage container, tabletop, and background counter.\n\nPreserve strict hand, food, utensil, phone, object, and environmental consistency throughout. Do not add, remove, replace, duplicate, merge, enlarge, beautify, or transform any visible person, food item, utensil, or object.\n\nDo not invent a face or complete body for either off-screen person. The partially visible phone-holding hand remains at the same approximate location and retains its original appearance.\n\nHands and fingers remain anatomically correct. Fingers do not multiply, fuse, disappear, change length, bend unnaturally, or pass through the phone, chopsticks, tabletop, or other objects.\n\nThe red chopsticks remain straight, parallel, rigid, and physically connected to the noodles through a stable grip. They do not bend, multiply, disappear, change color relationships, pass through the food, or transform into another utensil.\n\nThe noodles retain consistent thickness, quantity, texture, sauce coverage, weight, and elasticity. They do not multiply uncontrollably, merge into a solid mass, turn into worms, float independently, pass through the bowl, or change into another food.\n\nThe fried egg retains the same white and yolk structure. The yolk does not duplicate, disappear, burst unexpectedly, develop a face, or change into another object.\n\nThe meatball, spoon, bowl, plate, tabletop, beverage container, and background objects remain consistent in identity, quantity, size, material, and position. Objects do not duplicate, disappear, float, deform, spill, or transform.\n\nNo excessive sauce splashing, falling food outside the bowl, broken tableware, spilled liquid, smoke, fire, sparks, contamination, insects, or unsafe food handling occurs.\n\nLight particles remain small, abstract, translucent visual effects. They do not become solid ingredients, sauce, seasoning, flame, electricity, insects, facial markings, readable symbols, floating text, full-screen flashes, or particle storms.\n\nParticle effects never obscure the noodles, egg, meatball, chopsticks, hands, phone, bowl, or camera route. Their brightness and color relationships remain subordinate to the illumination established by <Picture 1>.\n\nPreserve the spatial scope, environmental atmosphere, lighting character, visual tone, and overall mood established by <Picture 1> throughout the entire video. Maintain the same location, apparent scale, spatial depth, surrounding elements, background density, environmental boundaries, and atmospheric conditions.\n\nThe figure-eight camera movement may reveal only physically plausible areas belonging to the same environment. Every newly revealed angle must appear as a natural continuation of the location established by <Picture 1>.\n\nDo not enlarge, shrink, redesign, replace, or artificially extend the original environment. Do not introduce unrelated tables, diners, restaurant workers, food, utensils, decorations, furniture, architectural features, or background elements.\n\nMaintain the color relationships established by <Picture 1> without assigning a new color style. Keep the original color temperature, saturation, brightness, exposure, contrast, shadows, highlights, lighting direction, atmospheric depth, food appearance, surface reflections, and material appearance consistent from beginning to end.\n\nDo not apply a new color grade or introduce sudden changes in lighting, exposure, environmental mood, spatial scale, food appearance, background activity, or atmosphere.\n\nLighting and color relationships remain consistent with <Picture 1> without flickering, pulsing, unintended color shifts, unstable shadows, or abrupt brightness changes.\n\nThe camera follows a collision-free route and never passes through the chopsticks, noodles, bowl, egg, meatball, spoon, hand, phone, beverage container, tabletop, counter, or particle effect.\n\nNo cuts, transitions, teleportation, sudden acceleration, abrupt reversal, camera shake, camera roll, fisheye distortion, excessive motion blur, unstable perspective, warped food, duplicated utensils, malformed hands, flickering objects, or changing backgrounds.\n\nPreserve genuine physical markings only when already attached to objects in <Picture 1>. Keep them stable and secondary.\n\nThe reaction icons, counters, comment icon, share icon, repost icon, bookmark icon, username, profile picture, subscription button, music label, captions, lower black panel, and all other social-media overlays are screenshot artifacts rather than physical parts of the dining environment.\n\nThese overlays do not appear after the opening frame. Do not generate new captions, subtitles, usernames, interface elements, logos, counters, borders, timestamps, or watermarks. Only the physical food scene fills the complete vertical frame.\n\noverall_soundscape: Close dining ambience includes soft noodle movement, a slight chopstick tap, gentle sauce movement, faint steam, subtle phone handling, low room tone, and distant indistinct restaurant activity. The particles produce delicate shimmering tones during the central crossover and final pulse. No intelligible foreground dialogue.\n\nnon_diegetic_music: Sparse light percussion with soft plucked strings and restrained ambient tones at a slow tempo. The arrangement remains low in volume and fades gently during the final second.",1344,768,12,1028055425724716,"minimax_h3_fl2va_pruned_fp8_scaled.safetensors","qwen3vl_32b_h3_ultra_uncensored_heretic_int8_convrot.safetensors","minimax_h3_video_vae_fp16.safetensors","minimax_h3_audio_vae_fp32.safetensors"]}],"links":[[194,105,0,92,0,"VIDEO"],[218,114,0,105,0,"IMAGE"],[219,115,0,105,3,"INT"],[220,115,1,105,4,"INT"],[228,119,0,120,0,"IMAGE"]],"groups":[{"id":5,"title":"Use Image Size","bounding":[-1530,5540,296.484375,354],"color":"#3f789e","flags":{}}],"definitions":{"subgraphs":[{"id":"4c314f31-ecda-4b08-ae98-faaba1bf613f","version":1,"state":{"lastGroupId":5,"lastNodeId":134,"lastLinkId":266,"lastRerouteId":0},"revision":0,"config":{},"name":"Image to Video (MiniMax H3)","inputNode":{"id":-10,"bounding":[-2560,4720,128,268]},"outputNode":{"id":-20,"bounding":[690,4810,128,68]},"inputs":[{"id":"d6eaa195-2266-4016-b7ed-b2d17a3e53c2","name":"first_frame","type":"IMAGE","linkIds":[195],"pos":[-2456,4744]},{"id":"03b95567-f496-4279-9d38-989dd34fa882","name":"last_frame","type":"IMAGE","linkIds":[196],"pos":[-2456,4764]},{"id":"d7302ca7-24ed-44c4-8ac9-736540dab7fb","name":"prompt","type":"STRING","linkIds":[197],"pos":[-2456,4784]},{"id":"709e2d94-3172-496f-ad86-7d672f3df568","name":"width","type":"INT","linkIds":[200],"pos":[-2456,4804]},{"id":"8205b85b-19bb-47f6-8418-89cd42940c1d","name":"height","type":"INT","linkIds":[201],"pos":[-2456,4824]},{"id":"a40e5e96-4307-4a8e-a4f8-13a27d4bc9d3","name":"value_1","type":"FLOAT","linkIds":[206],"label":"duration","pos":[-2456,4844]},{"id":"9f8734bc-c2b3-43b0-911e-e89560e8b777","name":"noise_seed","type":"INT","linkIds":[207],"pos":[-2456,4864]},{"id":"9a6d2811-673c-47e0-aa94-dda7c83621e4","name":"unet_name","type":"COMBO","linkIds":[221],"pos":[-2456,4884]},{"id":"7100a787-5536-4002-840b-1d2fd071010a","name":"clip_name","type":"COMBO","linkIds":[227],"pos":[-2456,4904]},{"id":"d40632fd-e0ae-4319-b85d-5479db4d6e11","name":"vae_name","type":"COMBO","linkIds":[223],"pos":[-2456,4924]},{"id":"2992852c-4b20-439a-8771-c866ec1996e6","name":"vae_name_1","type":"COMBO","linkIds":[224],"label":"audio_vae","pos":[-2456,4944]}],"outputs":[{"id":"adb2611c-e490-4fca-8067-b718c992f8cc","name":"VIDEO","type":"VIDEO","linkIds":[168],"localized_name":"VIDEO","pos":[714,4834]}],"widgets":[],"nodes":[{"id":11,"type":"VAELoader","pos":[-2020,5020],"size":[640,70],"flags":{},"order":5,"mode":0,"inputs":[{"localized_name":"vae名称","name":"vae_name","type":"COMBO","widget":{"name":"vae_name"},"link":223}],"outputs":[{"localized_name":"VAE","name":"VAE","type":"VAE","links":[8,190]}],"properties":{"Node 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